Current Exhibitions
 

 

Studio Malick
(May 25–December 8, 2013)

Malick Sidibé’s exuberant photographs offer a unique look at a time of political transition and cultural liberation. As Mali gained independence from France in 1960, the youth culture of music, dancing, and fashion exploded in this once-conservative West African nation and Sidibé’s ubiquitous lens chronicled it all. Through the use of props, posing, and a deft attention to personality, he developed a distinct style, fulfilling his clients’ aspirational self-presentation and achieving international recognition for these beautiful and nuanced studies of human character.

Studio Malick has been organized by the DePaul Art Museum in collaboration with Gwinzegal/diChroma Photography, Spain.

Here is My Ring and My Watch    Four Friends

Malick Sidibé
(Malian, b. 1935 or 1936)
Here Is My Watch, Here Is My Ring, 1964     
© Malick Sidibé, Gwinzegal / diChroma photography

Malick Sidibé  (Malian, b. 1935 or 1936)
The Four Friends, June 1967
© Malick Sidibé, Gwinzegal / diChroma photography

Mr. D    Motorcycle

Malick Sidibé (Malian, b. 1935 or 1936)
Mr. Dembelé, Secret Agent, 1964 
© Malick Sidibé, Gwinzegal / diChroma photography

Malick Sidibé (Malian, b. 1935 or 1936)
The Two of Us on a Motorcycle, July 1970
© Malick Sidibé, Gwinzegal / diChroma photography    

 

 Questions of Travel
(May 25–December 8, 2013)

Elizabeth Bishop’s poem “Questions of Travel” provides the focus for this installation. Since the beginning of recorded history, artists and writers have used the road trip—however long and whatever the destination—as source material. The works selected for display are the product of journeys, whether created by an American in Italy, a Cuban in St. Barts, or an Italian in Egypt. All of the paintings on view in Questions of Travel were donated to the museum by generous individuals; thus the installation opportunely amplifies our yearlong examination of the Cornell Fine Arts Museum’s history of collecting during our 35th anniversary celebrations. These images also literally and figuratively broaden our horizons, a particularly desirable outcome as the mission of Rollins College is to educate students for global citizenship. During a time of lazy summer vacations and fall break getaways, this installation offers refreshment and renewal to CFAM visitors from near and far.

Aceves   smilie   sanchez

Tomàs Aceves (Spanish, 19th/20th century)
Courtyard of the Dolls, The Alcazar, Seville, late 19th century
Oil on canvas, 31 x 40 in.
Gift of an anonymous donor
Cornell Fine Arts Museum 1963.109.P

James David Smillie (American, 1833-1909)
View of the Bay of Naples, 1904
Oil on canvas, 34 x 44 1/2 in. 
Gift of Mr. and Mrs. W. H. Cochrane
Cornell Fine Arts Museum 1965.06.P

Emilio Sanchez (American, 1921–1999)
Untitled (Blue House with White Shutters, St. Barts), c. 1970s
Oil on canvas, 26 x 30 in.
Gift of the Emilio Sanchez Foundation
Cornell Fine Arts Museum 2012.01.P

 

 

Collecting for the Cornell
(Continuing through September 1, 2013)

Collecting for the Cornell is an overview of the many gifts and acquisitions, large and small, that have contributed over time to making the Cornell's collection the gem that it is today.  Our history of collecting is a composite of many individuals, families, and institutions who had in common a love for art and a passion for teaching through art on our campus.  In an anniversary year for the museum, we celebrate them and highlight the process of building our encyclopedic collection.

 Lord Ganesha    sonntag

Unknown
The Lord Ganesha, God of Wisdom and Remover of Obstacles, late 18th century
Bronze, 20 1/4 x 10 x 1/2 in.
Gift of Fred W. O'Neil
Cornell Fine Arts Museum 1954.20.S

William Louis Sonntag (1822–1900)
Dream of Italy, c. 1860
Oil on canvas, 26 1/4 x 41 1/8 in.
Gift of George H. Sullivan
Cornell Fine Arts Museum 1950.26.P

 

Bouguereau     Mercie

William-Adolphe Bouguereau (1825–1905)
Tendres Propos, 1901
Oil on canvas, 75 x 48 in.
Gift of the Myers Family, Mr. and Mrs. John C. Myers, Jr., R'42, and June Reinhold Myers, R'42
Cornell Fine Arts Museum 1966.15.

Antonin Mercié (1845–1916)
Gloria Victis, 1874
Bronze, 42 1/2 x 20 x 21 1/2 in.
Gift of George H. Sullivan
Cornell Fine Arts Museum 1940.18.S

 

 

Jeffrey Gibson:  Tipi Poles Performing as Lines
(Continuing through August 4, 2013)

With this project CFAM debuts four new works created specifically for the Orientation Gallery niches. Gibson’s assemblages encompass themes of appropriation and power, as well as the speed of modern life, while using traditional Native American motifs in surprisingly contemporary ways.

Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England, and elsewhere.  A member of the Mississippi Band of Choctaw Indians and half Cherokee, his unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.  Gibson has recently joined the faculty in the Studio Arts Program at Bard College and is a 2012 TED Foundation Fellow.

Jeffrey Gibson is a Thomas P. Johnson Distinguished Visiting Artist.

gibson1  gibson3  gibson4

Jeffrey Gibson (American, b. 1972)
Tipi Poles Performing as Lines (Scenes 1, 3, and 4), 2013
Elk-hide covered birch plywood panels, acrylic paint, graphite, found tipi poles
Courtesy of the Artist; Marc Straus Gallery, NYC; and Samson Projects, Boston
Photos by Ken Lopez

gibsoninstallation

Tipi Poles Performing as Lines, installation view
Photo by Ken Lopez